Salvaging otherwise terrible photos from the Capital Museum, Beijing

Detail of Arhats Crossing the Sea, Anonymous. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Arhats Crossing the Sea, Anonymous. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

I love museums. I love them so much, I once planned to spend my life in them. And, for several years, I essentially did.

I also love photographing those things I want to remember later and better focus on in the moment, so spending hours taking pictures of objects in museums is pretty much a staple of every trip I take. Fortunately for me, I married someone who likes to do the same.

Of course, a museum’s job is to balance the contrasting tasks of preserving its collection and making the objects of that collection available for public view. This dual desire to display and safeguard typically results in the use of low light, protective glass, and the creation of physical distance between the object and viewer. For those of us taking pictures, this all-too-often translates into awkward angles, reflections, glare, and blurriness.

Those objects that beat the odds and photograph well are the ones I feature on my website and remember best as time passes. Those that don’t are the ones I rarely share and frequently forget about, no matter how much they may have impressed me in person.

Going through my photos from Beijing’s Capital Museum again reminded me how many items really deserve a second look. To better appreciate the original objects, I set about salvaging some of the not-so-great images by reframing and refocusing on their more redeemable features. Those revised pictures are the ones featured in this post.

It’s been fun to rediscover these objects for myself, to have them surface like both an old memory and something completely new. And the exercise has also been a good reminder of the potential usefulness of revisiting former experiences with a new perspective and willingness to dig a little for some of those experiences’ best, if forgotten, parts.

Double-badger-shaped jade pendant. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Double-badger-shaped jade pendant. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Flowers in Ink Monochrome by Sun Zhaojing. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Flowers in Ink Monochrome by Sun Zhaojing. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Jade washer engraved with a poem by the Emperor (1736–95). Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Jade washer engraved with a poem by the Emperor (1736–95). Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Plum Blossom in Ink Monochrome, Anonymous. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Plum Blossom in Ink Monochrome, Anonymous. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Vajradhara statue in the Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Vajradhara statue in the Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Birds and Flowers hanging scroll by Yuan Jiang (d. 1746). Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Birds and Flowers hanging scroll by Yuan Jiang (d. 1746). Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Nephrite belt buckle in the shape of a lion. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Nephrite belt buckle in the shape of a lion. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Arhats Crossing the Sea, Anonymous. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Detail of Arhats Crossing the Sea, Anonymous. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Maitreya Bodhisattva from c. 1403–24 in the Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Maitreya Bodhisattva from c. 1403–24 in the Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Bamboo in Ink Monochrome by Zhao Ziyong. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.

Bamboo in Ink Monochrome by Zhao Ziyong. Capital Museum, Beijing. Photo by Renée DeVoe Mertz.